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Halftone depot sheet — citrus ink, brutal tile edges, metro rhythm.
au Congo et au Sénégal
on the street or in an underground car park
une quête d’identité
En s’intéressant à cette jeunesse
L’Alguier #4 sylvie-meunier au Congo et au SénégalFrom Cairo to Rome, from Hollywood to Babelsberg, from Paramount to Fox, Laure Vasconi wandered, strolled, strolled, dreamed, always armed with her now natural prosthesis, the camera. In studios more or less active, dormant, even dormant, she observed behind the scenes of the dream factories of the 20th century, captured the other side, the folds, the unconscious of cinema, captured the off camera of films. Documenting the backstage of an art in full
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